Two travellers, two paths, touching blues, jazz and singer-songwriter, uniting into an old, but equally new musical experience. Pianist Jan Kosyk is a solo artist, as well as an ensemble player, just like the bassist Alina Dalsegno, hence, they decided to continue the journey as a duo, creating original live music from influences of many decades.
On this EP, the trio led by Alina Dalsegno on bass explores the similarities between blues and swing. Together with pianist Jan Kosyk and drummer Joachim Jurenz, they jazz up four songs by the Siberian singer-songwriter. The result is a work from the deepest Russian soul paired with the lightness of 1920s swing in English and Russian. Anyone who loves jazz standards will love this gem. And eagerly await the summer when Vol. 2 is released with a further five songs.
Am 17. Februar 2025 machten wir unseren 13. Stop auf der Liedertour und spielten im Fürstenkeller der Burg Querfurt.
Together with the Alina Dalsegno Trio, the two of us visited the Leipziger Liederszene and were delighted to meet lots of new people while networking.
Hirai Masaya from Beppu (Japan) and me merge together to form the Beppu Punk Cats. An explosive mixture of political content and emotional songs in English, Japanese and German.
Accompanied by guitar and piano, the expressive voices explain why Alex expropriated the bear, how to get Nazis out of the house and why people are more important than borders. And while the two use my pen to write the odd lines of music into the listener’s ears, they talk musically about melted ice cream. Just as if they were sitting in the sun – with a beer in their hand – in front of the next late-night shop.
別府（日本）のヒライマサヤ(Vo.Gt.)とドレスデン（ドイツ）のヤン・コシク(Vo.Pf.)が合体して別府パンクキャッツを結成。英語、日本語、ドイツ語で政治的な歌とロマンチックな歌が爆発的に混ざり合った作品。
ギターとピアノの伴奏と表現力豊かな声でアレックスがクマの財産を没収した理由、ナチスを家から追い出す方法、国境よりも人間が大切である理由を表明します。
そして、2人は「私のペン」であなたの耳に奇妙なメロディーを書き綴り、溶けたアイスクリームについて音楽的な会話を交わします。
それはまるで、明け方のコンビニの店先、ビールを飲みながら朝日を浴びて座っているかのようです。
As of April 11:
Hirai Masaya (Japan) and Jan Kosyk (Germany) merge together to form the Beppu Punk Cats. An explosive mixture of political content and emotional songs in English, Japanese and German.
The first album with 9 tracks. Reason enough to celebrate a record release concert. ヒライマサヤ and Jan Kosyk presented songs from the album garnished with their own and new creations.
Hirai Masaya and Jan Kosyk will give a full concert at Sempervivum. It will be a brilliant bouquet of Japanese-German punk rock jazz folk with guitar and piano.
For the second time Hirai Masaya and me played a Wohnzimmerkonzert at the great bar of Tapyasan.
Hirai Masaya and I played a great Wohnzimmer concert. We produced a mix of German and Japanese and sang, drummed and strummed together in the beautiful bar Tapyasan.
I met Toti Liedermachens from Braunschweig years ago at the adriAkustik. Back then we took over the hammock stage together with Mengede and from then on we met every year for a beer, a song or a chat somewhere at the festival.
Now Toti recently wrote to me – with a soundtrack attached – and the request to “play something to it”. So I did, played several ideas with piano and Wurlitzer on it and sent it all to him. With the addition of a bass track by Philip Omlor, the song Flaschenpfand was rounded off. And because every good song needs a good video, we shot a few takes in Dresden and Toti in Braunschweig. This is how the following video came into being, in full compliance with the corona ordinance, and will now remain forever in the collective memory of posterity.
For a few years I had the privilege of being part of the ensemble MeinKlang, which brings light and heavy themes to the stage with wit and charm, including the programme »Wir haben alle unser Päckchen zu tragen« (We all have our baggage to bear).
Interactive music theatre? No, we’re not doing anything digital. It will be an acoustically analogue musical experience in which the audience decides which topics will be worked on. And so that it doesn’t get boring between the choice of topics, you can guess, vote and – of course – sing along.
Punk without drums and guitar, cross covers, own stuff and with a huge portion of political education. Political what?
Since 2018, I have been on stage alone with piano and voice. With almost forgotten cover songs and a constantly growing repertoire of my own compositions, I tell you what will make the world a better place.
I played my programme on NAF Friday at Oosteinde and on NAF Sunday at the Neustadt Art Kollektiv studio.
Our wonderful studio has been around for 3 years and we celebrated this with you! Surrounded by the art of Atilla Bayindir, Joelle Vanderbeke and Thomas Schreiter, the evening was filled with music by Anne Lenk, Vanessa Brix and me.
Tapya International Friends with special guest – me – on the melodica. Live at Gin&Lemon on April 14, 2024 organized by Kurukuru.
For the second time Hirai Masaya and me played a Wohnzimmerkonzert at the great bar of Tapyasan.
Hirai Masaya and I played a great Wohnzimmer concert. We produced a mix of German and Japanese and sang, drummed and strummed together in the beautiful bar Tapyasan.
I played together with Hiraj Masaya, サイキシミン, 沙摩柯 and FLASHBACK9 at the AT HALL in Ōita. 🥳
We made it: After less than two months on our trip called Smörgåsbord, we have our first exhibition and concert in Japan. 🥳
I produced an album – with band! \o/ Due to external circumstances we use the 2nd of March to release the album in a small round – with band! 🙂
The Folkpunkfriends from Leipzig got wind of me at the end of 2022 and already visited us at Drägg’schen Löffel and lax&lux. Now there was a small recording session in the tub, very small and secret.
Bei der Musik- und Literaturreihe lax&lux – trifft Monat für Monat im Leipziger Osten Ton auf Text, Gesang auf Gespräch. Kritisch-humorvoll, intelligent und trotzdem warmherzig beobachten die Liedermacherin Paula Linke und der Autor Daniel Baierl die Umwelt in ihrer jeweiligen Disziplin.
From 2017 to 2020, I took part in the basic training on non-violent communication offered by echtjetzt. There, on the one hand, successful communication as an attitude was taught in theory and in exercises, and on the other hand, an approach to oneself was shown and laid, which helped me to work on and heal many old wounds. Sören Bendler and Sören Heise – founders and developers of the concept – published a book in 2018: Gewaltfreie Kommunikation in der Sozialen Arbeit (Nonviolent Communication in Social Work). Together with Martha Laux, the two Sörens and two actresses, we developed a musical-scenic reading, the songs of which were included on the CD accompanying the book.
In addition to the reading, there was also a musical workshop programme, from which a trailer was created:
I went on a little journey with Martha Laux over a year and a half and literally accompanied her in her musical world. In the end, there were 10 songs, of which a Soundcloud profile and a songbook bear witness. I don’t want to deprive you of the band biography and the songbook itself.
Martha Laux has been performing as a solo artist for several years, most recently with her programme “Laux und Leise”. She combined her texts with voice, piano and loop station to create an exciting story for the audience.
Jan Kosyk has been playing the piano in various jazz and folk formations for over 15 years and has acquired a wide range of improvisation possibilities and accompaniment techniques.
The duo came together in March 2017 for their first rehearsals in the project “Martha Laux und der bunte Hund” (Martha Laux and the Colourful Dog) and recorded their first CD “Wer will sagen, sie sei von Anfang an gewesen” (Who wants to say she was there from the beginning) just two months later. The two filled the summer with street music, festivals and a first tour through Thuringia, Brandenburg and Saxony. Already at the end of October they started their second tour “Auf die gemütliche Tour” through the living rooms and cafés of Berlin, Magdeburg, Leipzig and Erfurt.
By November 2017, Martha Laux and the colourful dog had shared their view of the world with audiences at a dozen street music performances and twenty concerts and developed their ninety-minute programme “Zwischen Kopf und Bauch” (Between Head and Tummy).
In April 2018, the two decided to go their separate ways musically and stopped actively working on the project. Nevertheless, several performances followed in the summer in Haldensleben, Leipzig, Bad Belzig, at the adriAkustik and in Ústí nad Labem for the Czech-German Culture Days.
Jan Kosyk developed his own solo programme “Utopien eines Realisten” (Utopias of a Realist) in the summer of 2018, linking musically to his political work. Martha Laux is currently in the process of writing a new solo programme. Despite or perhaps because of their own paths, they continue to keep in touch and always find each other on stage.
It happened at a time when I didn’t have a band that I came across the Skaprifischer – the second oldest ska band in Dresden. I spent six long years there from 2009 to 2015, learning to hammer offbeats and play the organ. Besides a released album called Frischer Aspik (2011), the album Aquilibrium, which has been unreleased for ten years now (as of 2023), is still pending. We also had the fun of recording a Christmas album during a rehearsal weekend: Nachts bei Don Bosco (2012). You can listen to the songs here.
The album is still unreleased. The instruments and vocals were mostly recorded in 2013, since then the recordings have been remixed in the studio from time to time. The latest status is from 2018. I am currently looking into whether a release is (still) possible.
